{"title":"Available Titles (Row 0)","description":"","products":[{"product_id":"johanna-hedva-my-knife-collection-and-other-subjects-of-desire","title":"Johanna Hedva: My Knife Collection and Other Subjects of Desire","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eCOMING SOON!\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eISBN 978-1-953189-26-4\u003cbr\u003eNovember 2026, English, 5 x 8 in\u003cbr\u003eDesign: Sming Sming Books\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eMy Knife Collection and Other Subjects of Desire\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is an orphanage for the unruly, lawless short pieces of \u003cstrong\u003eJohanna Hedva\u003c\/strong\u003e’s oracular practice. Published between 2012 and 2026—in places such as e-flux, frieze, Tate, MASS MoCA, and the Seoul Mediacity Biennial—these works keep their cloven feet in many different worlds, spanning essays, fiction, spells, fables, devotionals, séances, and as apparitions of Hedva’s sculptures and installations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eAcross years marked by illness, acclaim, and apocalypse, Hedva arrives as a fortuneteller at the end of the world. On these pages, sculptures drip and drain, and a knife impales the wall of a museum. Hair floats in bowls of honey, while quantum mechanics bloom in the mouth of a ghost. Cockroaches inherit their duties from dead mothers. Simone Weil, Odetta, Kim Eon Hee, and Clarice Lispector drift through as psychopomps.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOne of our most accomplished smugglers between worlds and genres, Hedva offers a cosmological field guide to contemporary ruin and enchantment.\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e________\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/johannahedva.com\/\"\u003eJohanna Hedva\u003c\/a\u003e \u003c\/strong\u003eis a Korean American writer, artist, and musician, who was raised in Los Angeles by a family of witches, and now lives between LA and New York. Hedva’s practice cooks magic, necromancy, and divination together with mystical states of fury and ecstasy, and political states of solidarity and disintegration. They are devoted to deviant forms of knowledge and to doom as a liberatory condition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHedva is the author of four books, most recently the 2024 essay collection \u003ci\u003eHow To Tell When We Will Die: On Pain, Disability, and Doom\u003c\/i\u003e, which won the Amber Hollibaugh award for LGBTQ Social Justice writing. They are the author of the novels \u003ci\u003eYour Love Is Not Good\u003c\/i\u003e, which Kirkus called a “hellraising, resplendent must read,” and \u003ci\u003eOn Hell\u003c\/i\u003e, which was named one of Dennis Cooper’s favorites of 2018. They are also the author of \u003ci\u003eMinerva the Miscarriage of the Brain\u003c\/i\u003e, which collects a decade of work in poetry, plays, performances, and essays. Their artwork has been exhibited internationally, and their albums are\u003ci\u003e Black Moon Lilith in Pisces in the 4th House\u003c\/i\u003e and \u003ci\u003eThe Sun and the Moon\u003c\/i\u003e.\u003c\/p\u003e","brand":"Sming Sming Books","offers":[{"title":"PAPERBACK","offer_id":50514065752257,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"E-BOOK","offer_id":50514065686721,"sku":null,"price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2789\/2198\/files\/johanna-hedva_my-knife-collection-and-other-subjects-of-desire_1.jpg?v=1787197261"},{"product_id":"anna-martine-whitehead-force-an-opera-in-three-acts","title":"Anna Martine Whitehead: FORCE! an opera in three acts","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eCOMING SOON!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSeptember 2026, English, overall: 6 x 9 inches (book with four inserts and cassette tape)\u003cbr\u003eDesign: Sming Sming Books\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition of 250\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSimply defined as a “big work,” an opera is a song cycle capacious enough to contain multitudes. \u003cstrong\u003eAnna Martine Whitehead’s \u003ci\u003eFORCE! an opera in three acts\u003c\/i\u003e\u003c\/strong\u003e is a big work of strange sisterhoods, featuring fractaline characters with the power to disintegrate walls. A meditation on often-overlooked spaces—prison waiting rooms—\u003ci\u003eFORCE!\u003c\/i\u003e travels through silence, sound, and rhythm to dissipate borders between performers and audience members.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis accompanying libretto, written by Whitehead, features the script of the performance interwoven with extensive footnotes, forming a complex constellation of black study, making, and being. \u003ci\u003eFORCE! an opera in three acts \u003c\/i\u003ewas presented throughout 2024 at The Chocolate Factory Theater\/Vera List Center for Art and Politics in New York, Portland Institute for Contemporary Art, REDCAT in Los Angeles, and the Museum of Contemporary Art Chicago.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBeginning in 2019, \u003ci\u003eFORCE!\u003c\/i\u003e developed into an iterative re-imagining of performance practice, re-centering care, consent, queer divergence, and rest. The creative team re-imagined rehearsal protocols and released disciplinary categories to build an abolitionist feminist theater practice. Gathering lessons from lichens and other emergent strategies, direct actions, and mutual aid societies, the project leveraged sound and movement as vectors for processing state violence and racial capitalism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis publication brings together contributions by \u003cstrong\u003eSuchi Branfman, Re’al Christian, Jenn Freeman, Maria Gaspar\u003c\/strong\u003e, and \u003cstrong\u003eDavid Thomson,\u003c\/strong\u003e with essays and artistic interventions made alongside the “emergent opera.” Using the prison as a particular prism through which we can bear witness to the ways carceral systems replicate themselves, \u003ci\u003eFORCE!\u003c\/i\u003e, its notes, and the attendant collection of responses mark an attempt to abolish the Prison Industrial Complex in our heads, hearts, and houses.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAll orders include a digital download of the opera.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTrack Listing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A \u003cbr\u003e1. Overture (10:54)\u003cbr\u003e2. Where Is It (2:41)\u003cbr\u003e3. A Problem (7:40)\u003cbr\u003e4. Aria (4:52)\u003cbr\u003e5. Come See Something Wrong (3:28)\u003cbr\u003e6. Act Nowhere (4:03)\u003cbr\u003e7. Martine’s Monologue (1:33)\u003cbr\u003e8. Am I (Zach’s Song) (3:19)\u003cbr\u003e9. A Reckoning (4:55) \u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e10. We Go In (5:10)\u003cbr\u003e11. Un Trou (5:22)\u003cbr\u003e12. Reminisces (10:16)\u003cbr\u003e13. I Won’t Stop It Now \/ Prelude (instrumental) (2:21)\u003cbr\u003e14. I Dream (7:39) \u003cbr\u003e15. The Time Is Now (3:15)\u003cbr\u003e16. 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